Art
Majid Sarsangi; Sadeq Rashidi; Farhad Amini
Abstract
The book of the Theatre in Safavid Period by Yaghoob Azhand is a work that historically mentions the theatrical performances common in the Safavid period and the origins and backgrounds of these practices, and is therefore of particular interest to historians. In this article, first, by briefly comparing ...
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The book of the Theatre in Safavid Period by Yaghoob Azhand is a work that historically mentions the theatrical performances common in the Safavid period and the origins and backgrounds of these practices, and is therefore of particular interest to historians. In this article, first, by briefly comparing this work with some other works published in the field of history of theater in Iran, we outline its place among these exegetical works and its distinguished aspects. In the following, while reviewing the method of segmenting the method of presenting this historiography and comparing it with the conventional methods of theater historiography, we have criticized this work as a work in the field of Iranian theater history. In the same way, using the theory of performance, some of the species mentioned in this work have been examined as executive types, and their strengths and weaknesses have been expressed. Finally, by examining the general approach of the work in relation to the historiography of the play, the work’s status is evaluated as an academic work.
Art
Ali asghar kalantar; Sadeq Rashidi
Abstract
The aim of this article is to critically review the content and form of a book on Islamic Art (collection of essays and lectures). This book is one of the basic books on Islamic art discourse with different approaches. The authors of this book have sought to study the nature of Islamic art, through theoretical ...
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The aim of this article is to critically review the content and form of a book on Islamic Art (collection of essays and lectures). This book is one of the basic books on Islamic art discourse with different approaches. The authors of this book have sought to study the nature of Islamic art, through theoretical discussions in the context of historiographical, jurisprudential, mystical, sociological, semiotic, and hermeneutic attitudes. The main issue of this paper is to raise the fundamental question of how mystical and judgmental approaches to traditionalist discourse as well as historical approaches to descriptive discourse can analyze and interpret Islamic art and thus open the door to understanding and understanding the complexities of Islamic art discourse. We reveal the formation. The importance and critical importance of a critical look at Islamic art textbooks for a more detailed analysis as well as explaining the mechanisms and characteristics of the various approaches to Islamic art discourse analysis seem significant. For this reason, it is necessary to demonstrate the importance of the book in question by revealing its analytical functions aimed at guiding audiences and students concerned with Islamic art studies.
